Ants on a Blog

'We cannot get out. The end comes. Drums, drums in the deep. They are coming.'

11.16.2005

Movie Assignment

Here's what I just whipped up for my comp students' fifth assignment:

Movies
General assignment description: This assignment is based on your opinion of what you think makes a “good” comedy, drama, etc—based on which category gets the most votes. Think back to the critique: You’ll build and clearly stated criteria—or necessary elements—for whichever type of movie we watch.

So, if "parody comedy" is picked, you’ll tell me what you think makes a good parody. Based on that criteria, you’ll look at both movies and judge whether or not each movie succeeds your strict test. Since this requires criticism, you’ll assess the “argument”—how the writer/director attempts to succeed at being funny/dramatic/etc. Then, you’ll respond to their “argument” with your opinion. Remember me yelling a lot about keeping your opinion out assessment? Yeah: It applies here too.

Allz I’m asking for is three full pages. After these last two assignments, you should be able to shit three pages. The assignment sheet on Friday will be way more in-depth than this. I promise. Use www.imdb.com (The Internet Movie Database) to check out these movies if you’ve never heard of them. I’m going to try to find the screenplays for the chosen pair of movies for you to reference during the writing process. You have until Thursday, 7 pm to choose. Email me your choice of pairings. You cannot mix-n-match: These movies are paired together for a reason. Happy choosing.

Dark Comedy versus Slapstick:
Rushmore (’98, Jason Schwarztman versus Bill Murry) vs. Tommy Boy (’95, Farley physical genius)

Parody:
Blazing Saddles (’74, Mel Brooks, western) vs. This is Spinal Tap (’74, Christopher Guest mockumentory, rock)

Romantic:
Garden State (’04, Delicious Portman, dark) vs. As Good as it Gets (’97, Old Jack romantic comedy, lighter)

Personal Journey:
Rocky (’76, Sly versus the world) vs. Good Will Hunting (’97, Damon, Robin, and Lousy Affelck)

Cop/Drugs:
Heat (’95, Pacino versus De Niro) vs. Blow (’01, It’s Depp—‘nuff said, cop/drugs)

Family:
What’s Eating Gilbert Grape? (’93, aloof Depp) vs. Meet the Parents (’00, Stiller awkwardness)

Psychological:
The Shining (’80, Young Jack) vs. One Flew Over the Cuckoo’s Nest (’75, Even Younger Jack)

Re-do:
Charlie and the Chocolate Factory (’71, Gene Wilder genius) vs. Charlie and the Chocolate Factory (’05, Depp genius)

Re-do:
Yojimbo (’61, Toshiro Mifuné, samurai) vs. Last Man Standing (’96, Bruce Willis, gangster)

Existential:
Total Recall (’90, Ahnold) vs. The Matrix (’99, man vs. machine)



Here's the problem: I don't own any of them. Hmm...

4 Comments:

  • At 7:44 PM, Anonymous Anonymous said…

    How about adding these categories:

    Ultimate fantasy films:
    Aladdin (rub the lamp and the genie grants wishes) vs. Hellraiser (solve the box and the Cenobites give pleasure)

    Snuff films:
    8MM vs. The Passion of the Christ.

    Debut goofy crook films:
    Mean Streets vs. Lock, Stock, and Two Smoking Barrels

    Depressing true-to-life films:
    Closer (great cheating and break-up scenes) vs. Sideways (great cheating and drunk phone call scenes)

     
  • At 9:27 PM, Blogger Mason said…

    I almost included 8mm vs. 7even, which I would've enjoyed watching but my students would start thinking I'm even more perverted.

    I'm probably the only person ever to pay to see 8mm in the movie theater twice.

     
  • At 11:07 PM, Anonymous Anonymous said…

    That's nothing. I saw 8MM with 14 year olds and a youth pastor.

     
  • At 11:37 PM, Anonymous Anonymous said…

    Ultimate fantasy films:
    Aladdin (rub the lamp and the genie grants wishes) vs. Caligula (rub the goat's ass and recieve ultimate pleasure)

     

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